Nezumi, as noted above however, sings of nature. “Laughter became a necessity and a channel for the hatred of the enemy it became the catalyst for expressions of anger and bitterness when the means of struggle were still not clearly defined.” ( source) Jewish ghetto songs during Hitler’s regime served to arouse feelings of survival and humor: The oppressed has always relied upon music to get them through tough times. A song from the heart is natural and and beautiful while machines can only produce sounds that hurt. On the other hand, the harmful sound waves emitted by No.6’s vehicles seem alien and discordant. Nezumi sings of nature and a genuine human appreciation for it. Look at this as yet another extension of the nature vs. After all, if sound can heal, why couldn’t it also hurt? As a result, the killer sound tanks, as silly as they look, serve as a contrast to Nezumi’s song. Killing people with sound waves does seem a little ridiculous, but I’ll give the story a pass. No.6’s weapon of choice seems to be of the supersonic variety. On the other hand, maybe the cleaning operation always takes place annually, but then why would the slums be so ill-prepared? Oh well. What a coincidence that No.6 should stage its operation at this point in time just when our heroes are running out of time to save Safu. Nezumi and Shion were racking their brains over how best to infiltrate the correctional facility when, suddenly, the story provides them a way. The whole thing feels a little too convenient. Out of nowhere, the city decides to flatten the slums and its inhabitants.
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