The director of Rodencia and the Princess’s Tooth is now working on Dalia and the Red Book, an endearing story for the whole family with an innovative mixed media technique that combines cgi with stop-motion sets, textures, and lighting. Vista Sur Films, Golem Studio, Felipe Producciones, FilmSharks International / In Production / Mixed technique / 85 min / 2019 Dalia and the Red Book (Dalia y el libro rojo) Inzomnia is a fantastic and dystopian film that brings together a team formed by national professionals such as Karla Castañeda and international stop motion artists. Inzomnia Animación / In Pre-Production / Stop Motion / 90 min / 2018įeature debut by one of the most important names in Mexican stop motion. This Latin American Persepolis arrives in theaters in 2017. Solid 2D aesthetics in black and white for this adaptation of the successful Virus Tropical comic by Colombian-Ecuadorian PowerPaola that has been published throughout the entire continent as well as in Spain, France, and the United States. Timbo Estudio, Ikki Films / In Post-Production / 2D / 95 min / 2017Ĭolombian filmmaker’s debut. Virus Tropicalĭirector: Santiago Caicedo (Colombia/France) We present 10 projects below that are part of the emerging Latin American animation production scene and are worth keeping an eye on. Other blooming countries, such as Chile or Colombia, are developing around a dozen films apiece. The Peruvian 3D industry is among the most dynamic nowadays and is producing, among others, Condorito by Alex Orrelle and Eduardo Schuldt, to be released in 2017, and Ainbo by José Zelada, with sales represented by the American company CMG. The places that produce the majority of the live-action films are also the most dynamic in terms of animation, such as Brazil, which is developing around thirty films – including the next one by Alê Abreu and Luiz Bolognesi – and Mexico, where animation has been responsible for several of the latest blockbusters, such as the Huevocartoon phenomenon or The Legends theatrical series by Ánima Studios, the company that is also behind Guardians of Oz and the cgi Top Cat Begins. In order to alleviate this, government development measures are being implemented, and at the same time regional and international co-production is becoming an upward trend. Most of them are craftily produced in modest studios with immense creative potential, the financial architecture being the main obstacle for most films. We prefer for the ocean/water to play the primary role in content.Around 100 feature-length animated films are currently being developed or produced across Central and South America. Whenever we do police content, it's usually because it's a repost or focuses on a sea creature rather than the vastness of the ocean or the unknown depths of a body of water. We're just a bunch of people sharing stories, images, and videos of bodies of water that leave us in awe, wonder, and trepidation. The reason we do so little policing can probably be explained by our subreddit's niche context that revolves around a very specific set of inoffensive content. "Compared to other subreddits of our size, we don't feel like we police posts or comments as much. "Our core mod group has 4 active members, which is a small team for a subreddit of our size," they told Bored Panda. We contacted the moderators of 'Thalassophobia' and they were kind enough to have a little chat with us. Part of it can be attributed to the clear rules that promote being nice and courteous, and allow no jokes, memes, or cartoons, no reposts, and no gore.īut of course, having an active moderator team that make sure members adhere to these rules helps tremendously as well. Online groups that get this big often suffer from huge streams of content that flood them with questionable pictures and videos, diminishing the overall experience of browsing them, but this subreddit manages to stay clean.
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